Comics You Should Be Reading: Green Wake

Whether you're looking for a comic with psychological or supernatural themes, or just feel like something other than a superhero book, you should be reading Green Wake. Kurtis Wiebe and Riley Rossmo's title has grown to be one of my favorite titles on the market. Here's why.

Review: Wolverine and the X-Men #1

He's the best at what he does. And what he does...is run the Jean Grey Academy? Professor Wolverine is kind of a catchy name, but I at least hope that his professoring isn't very nice. Check out our take on the latest adventures of Sniktbub and his crazy crew of X-Men here. Bub.

10 Comics That Would Make Great Cartoons

Comics and cartoons go together like a Batman and his current Robin. Cartoons adapted from comic books have a long history of being great, and we here at the 52 Review welcome more of them. Here are 10 comic books we think deserve their own animated series.

Review: Spaceman #1

Brian Azzarello and Eduardo Risso team up again for the 9 issue Vertigo miniseries Spaceman. 100 Bullets is a tough act to follow. Does Spaceman measure up? Find out what we thought of the first issue here, or take advantage of the $1 pricetag and try it for yourself.

Review: The Flash #2

The first issue of The Flash blew us away. Does the second one measure up to the early promise of the series? Or is Barry Allen already starting to slow down? Find out what we thought of Francis Manapul and Brian Buccellato's second issue here.

Showing posts with label Barbara. Show all posts
Showing posts with label Barbara. Show all posts

Friday, September 09, 2011

Review: Batgirl #1



If you've read the majority of what the 52 Review has posted and are familiar with which ones I'VE posted then chances are you've picked up I have a bit of a soft spot for Batgirl. In fact, in the four articles I've written, two of them had spots where I could specifically use it to say goodbye to her. So, with all the considered, I really wanted to see the new Batgirl book.

For those unaware of what happened to the Batgirl whilst the DC shuffle occurred, Stephanie Brown is no longer Batgirl, Barbara Gordon is no longer Oracle and Batgirl is once again Barbara Gordon. While I was a huge fan of Stephaine as Batgirl I was still willing to give this a shot. So I did. Pros and cons abound in this review.

First, let's talk about the writing. And to talk about the writing, we gotta talk about Gail Simone. Luckily for this book I take to her writing like a hungry dog to whatever fell in it's food dish. I will read anything of hers because it almost always works. In Batgirl #1, it works. The monologues are well paced, and thought out. The dialogue is superb. There's a bit where a group of thugs are about to do some ridiculously horrible things to a family and while one thug is describing what's going to happen to them, another is over by the window talking about how it's raining, he forgot his jacket and he's going to catch a cold when they leave. It's a completely silly thing to add to a potentially violent scenario and yet, Simone pulls it off with a Tarantino like flair. One of the things I absolutely respect the hell out of Gail Simone for is her ability to realize that people don't always talk in turns about one subject. This little flair makes almost every conversation she pens rewarding.

Now, a few words about the art. It's pretty. It's really pretty. The art team on this book has some fantastic detailing. Rock looks like rock, clothing looks like clothing and the snozberries taste like snozberries. After reviewing Rob Liefeld's Hawk & Dove #1 the other day (read the review) this was a welcome treat. My only complaint about the visual direction may, in fact, have nothing to actually do with the art team. And that's Batgirl's new costume.

The costume is pretty cool. It works in the little underside paneling of Stephanie's Batgirl costume while still making it unique. But I do, however, have two complaints. One, the arm pieces look to boney and organic. They don't entirely make sense and the points near the shoulder seem to change position where convenient. I know all the new costumes are supposed to be overly detailed and what not but the gauntlets seem out of place. And secondly, Barbara Gordon is a girl just moving out of her dad's place with rent to pay and bills to endure. How did she afford this costume? Unless there's a plot device we have not witnessed yet, she is on her own and doesn't even have a place completely to herself, let alone a lab or workshop where she could have made both her outfit and her completely decked out bike she rides later on.

But beyond these complaints about her costume, the art is gorgeous.

Story wise the book left me conflicted. I love how Barbara was written. She's a girl with a lot of passion and the need to do what's right. She's also very naive and new to crime fighting so she's prone to mistakes. I love that in a hero. There is nothing that pulls me in more and makes me relate to a hero than when the hero just drops the ball. Her story about her life, her spinal injury (read it for yourself) is very well put together. The villains are also extremely interesting with Batgirl dealing with one group of villains while a completely unrelated foe makes a name for himself. It all fits together well.

But my complaint with the story is this: There are Batman books. There's a Batwoman book. There's an entire line of DC books dedicated to darker material. Batgirl has never really been about that (which is wacky for something where the main character ended up paralyzed for so long) as opposed to being a very accessible and fun book for all-ages, set in the DCU. This is not an all ages book. People are killed violently. Stabbed. Shot in the face. It's almost at the point where every page has a scene of intense violence whether it's needed or not. Case in point:
Pow, right in the kisser.

As someone who is slowly working towards being a parent, I often think about the books I'd get my non-existent boy or girl into. Batgirl was always one of those books. But I honestly would not give this to a kid under 14.

Again, the book is good, don't get me wrong. I still recommend the average reader pick it up and enjoy it. But I think that, with DC's effort to bring in all ages of readers, they really missed out on the opportunity to have a solid youth entry into the Batman universe.

All in all and long story short, for those of you old enough, I think the book is still a fantastic read. It takes a while to get used to, but like a new pair of jeans, you're get more comfortable with it the more time you spend with it.


By Electric Nerd with 2 comments

Friday, September 02, 2011

A Farewell to Stephanie's Batgirl (Review of Batgirl 24)


The DC relaunch is upon us, but there is only one issue out from it this month and that makes a slow week for reviews so I figured I'd touch upon one of the books that is closing out. Batgirl. First off, let me put it out there that I absolutely love Stephanie Brown as Batgirl. So much so. I feel that with her as Batgirl it lead a very interesting dynamic to the Batman universe. She was plucky, clever, capable and lead a very interesting life and I, for one, am going to be extremely saddened to see her go. In fact, on her way out I admittedly welled up a tiny bit, but more on that moment later. Anyways, on to the book.


First off, I'm going to point out that from this point on this article will have (no pun intended):
SPOILERS AHEAD
Get it? Spoiler? Eh forget it.




I've been reading practically all of DC for the last year or so and I've seen a bunch of books closing out for the upcoming relaunch and, with few exception, have I seen an artist show so much love for a character they're bidding farewell too as much as Bryan Q. Miller.

He starts the book off immediately continuing the conversation at the end of issue 23 between Stephanie and her father, The Cluemaster. Personally, I've never cared for the Cluemaster. In a world where characters like ever Bwana Beast and Gypsy can find their way, I've found NO point in Cluemaster's existence. But Miller really uses that to this characters advantage to make a deadbeat character you couldn't like if you tried. Which works because you find yourself right there with Stephanie in her anger.

But the story does kind of take an odd turn. Out of no where they show a canister in Cluemaster's cell that contains Black Mercy. That's right, the space plant that locks you in a coma as you live out your wildest fantasies and wishes. In Cluemaster's jail cell. For NO reason. Because...comics.

No seriously. What IS he talking about?

He does some silliness where he takes the plant out of the container, which Batgirl does not stop. Then he puts it in a mortal and pestle, which Batgirl does not stop. Then grinds it into a fine powder, which Batgirl doesn't stop. Then proceeds to calmly blow the dust into Batgirl, taking her out and making her live out her every wish in her mind. Not the most realistic plan a villain could hope to pull off, but, luckily, for some reason Stephanie did absolutely nothing to prevent this. She does manage to stop him before she blacks out completely but, without spoiling how I will say that she has a gadget that makes no sense what-so-ever and leave it at that.

Where the book picks up is when Stephanie wakes up in a hospital with her mom sitting near by. This is where the book suddenly gains Charm+10 with a chance to crit. There's a whole back and forth conversation between the two where the mom is, essentially, screwing with her daughter, making Stephanie think that maybe her mom still doesn't know she's Batgirl and it's the cutest conversation I've read in a long while. The dialogue that the book's writer, Bryan Miller, pens, and they way he has Stephanie (and in this case her mother) express herself is the main selling point that this book has held for me for the last two years.

Needless to say, the mom knows, they hug. And then came the moment when I realized the book was becoming self aware of it's mortality. Stephanie looks out the window to see Damian on a ledge, the "camera" zooms in and then this happens:

I almost lost it. This was the aforementioned moment when I said I welled up a bit. There was Damian, the biggest jerk in the DC Universe (but in such a fun way), saluting Stephanie. It's another right out of left field moment but it hit me remarkably hard.

After that, the book goes splash page for a while as Stephanie thinks about what she say whilst under the Black Mercy. Splash page after splash page of everything from Stephanie as a mom to Stephanie as a college grad to (my personal favorite) Stephanie as a Blue Lantern (with Damian as a Red and Oracle as a Green). These pages are just fun what-ifs and, while very powerful in there own way, also show off book artist, Pere Perez's gorgeous art style.

And finally, after all that's over and because the book has a longer ending than the Lord of the Rings film, we cut to a roof top where Stephanie and Babs (Oracle) are talking on the roof of some random building. It's almost as charming as the mother/daughter chat from earlier and the addition of Gotham's pollution (as it's explained) making the sunrise purple, almost in honor of Batgirl, was such a charming send off.

All in all, while the book has a bit of a rocky start, it contains an extremely well put together send off for one of the best characters that DC's putting on the back burner. The art is good. The writing is good. And, as I mentioned before, Miller's love for the character practically sweats off the page. A fact that becomes self aware when Stephanie practically tells the viewer the following statement with a wink. A statement I will end the review on:

Take care of yourself Stephanie, you amazing, amazing Batgirl you.

By Electric Nerd with No comments

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