Review: Batwoman #3

Batwoman can be a challenging series to review. The art is so overwhelming that it can be hard to look at the comic as a whole instead of focusing on that one beautiful piece. I was so sucked in by this issues dreamlike underwater pages that I lost all interest in turning the page. All I wanted to do was watch the way the water flowed from panel to panel, to admire the details JH Williams III had hidden at the bottom of the river. But somewhere along the way, the hold the art had on me was broken, and the plot is what garnered the bulk of my appreciation. While I've enjoyed the first two issues, I think Batwoman #3 is the best storywise so far.

One of the reasons we admire heroes, superpowered or not, is their bravery, their strength in the worst moments. They don't break down when normal people would, which makes the moments when we do see them drowning in their troubles and responsibilities that much more powerful. I doubt as we'll see Kate as vulnerable as she was in those panels with Maggie anytime soon, but that's what makes it special. Being reminded that masked heroes are still human, that they have cracks in their armor, makes the things they accomplish all that more impressive.

La Llorona, Cameron Chase, and even Maggie Sawyer fell into the background as Williams gave us a wonderful Kate Kane character study. Kate doesn't wear her angst on her sleeve the way Batman often does, and I think it's easy to forget how tortured she really is. Jake Kane's appearance in the issue was a brief one, but more than ever, you could feel how much the separation from her father is killing Kate. For years, they only had each other, and being apart from him when she's emotionally torn apart must be brutal. I miss the two of them together, and I want to hope for a reconciliation, but it's hard to see how Kate will forgive the Colonel when her pain over what happened to Beth is still so raw.

Kate's words may have been harsh, but I think it's fair to point out that Bette doesn't really have a reason for fighting. Bette was a forgotten character for years, but her old origin essentially had her training to become a hero because she wanted to impress/stalk Robin. As much as she might like Bette, that has to sting for someone like Kate, who fights because she absolutely needs to. I hope that their falling out gives Bette some more depth. I always like seeing her, but I don't think she's a compelling character on her own yet. The pages with her donning her Flamebird suit were absolutely stunning, and even though I'm not expecting this to lead to something good, it was a cool little moment for the character.

This issue picked up directly from where the last one left off, and ended on a cliffhanger, but in many ways, it felt like a standalone issue. If someone asks me where to start with Batwoman, I'll always recommend Elegy, but I can easily see myself handing this issue over to someone I want to hook. It's not the action piece I was expecting- it's just a look into one night of Batwoman's life, and sometimes that can lure in readers to way an introductory story can't. Some plot points might be hard to make sense of if you haven't been following the series, but Kate's pain is something any reader should be able to understand.

When I talk about what makes Batwoman great, I often focus on the art, and maybe that's a mistake. The art is breathtaking, but Kate's story is exceptional too, and it would be no matter who was drawing her.  Loss is a common theme in comic book back stories, but the way loss is used in Kate's tale feels somewhat unique. She's dealt with tragedy, found a purpose, and had that purpose stripped away from her. When she found a purpose once again, all her wounds from her past were reopened, and this issue proves they've never really had a chance to heal. There's something intensely relatable in all that, and it's a huge part of why I love Batwoman as much as I do. As always, I urge anyone who isn't familiar with Batwoman to give the character a chance. Whether you begin with Elegy or start right here, you're in for something special.

By Marceline with No comments

Review: Batwoman #2

I'm still not used to having a Batwoman book every month. I feel like Batwoman should be a rare treat- something I wish I could enjoy all the time, but I only get to have every so often. But if DC's willing to give me a new issue of Batwoman every month, than I'm more than willing to read it, and it was with great joy that I tore into my copy of Batwoman #2. When I read the book's opening action scene, I felt like the words "SOCK!" and "POW!" should be appearing on my page, accompanied by a familiar series of dunananananas. JH Williams III takes the bright colors of flash associated with Batman in the 60's and somehow marries it perfectly to his Batwoman style. It made Bette's neutral costume stand out on every page, and gave the book a high level of energy right from the start.

But for me, the highlight of the book wasn't the action scenes, but the relationship between Kate Kane and Maggie Sawyer. Their chemistry felt so natural here, and the two of them had some really fun moments. I especially loved Kate's little bow as she walked away. I feel like having Maggie around makes Kate try a little bit harder, and brings out great aspects of the character we don't often get to see. I grinned right along with Batwoman when she smiled with pride from the rafters, and the expression on Kate's face when she asked about the children was a very nice touch. Williams really seems to have a good handle on writing Maggie Sawyer, and I'm excited to see how he develops the character.

While it's a minor complaint, I felt like the book's delay really stood out this time around. Batwoman debating whether or not to join Batman Inc. feels a bit pointless, considering we already saw her working with Batman Inc. in issues 4 and 5 of the series. I also wish we'd seen a little more of Bette this time around. Batman's warning would've had a little more punch if she'd had more pagetime, and I just really like the way she interacts with Kate. Still, there's so much going on in this issue that her minimal appearances are easy to forgive. I'm thrilled that Batwoman is giving so much attention to the supernatural side of Gotham, especially since it's not playing a role in any of the other Batbooks right now. I know we won't be seeing Alice again any time soon, but I'm looking forward to seeing more of the Religion of Crime all the same.

It looks like Batwoman is going to become the home for characters previously drawn by JH Williams III, and I have to say I'm pretty excited about that. In addition to the characters introduced in the last issue, I spotted Desolation Jones hidden away in a panel during the club scene. I suspect there are other easter eggs scattered throughout the series that have already been noticed by readers more astute than I. On that same note, Cameron Chase is an even better fit for Batwoman than I thought she'd be. She's not just a great foil for Kate, but a good one for Detective Sawyer as well. I loved that Chase suspected Sawyer of being Batwoman, and I'm curious to see how she'll affect the budding relationship between Maggie and Kate. I'm excited to see what happens when Chase and Batwoman finally get a chance to fight. I'm betting the dialogue will be as good as the action itself.

There's not much about JH Williams III's art I can say at this point without sounding redundant. His artwork is stunning, the way he switches up his style throughout the book is fascinating, and his page layouts are wonderfully intricate. I love that he got the chance to draw some monsters here. One in particular looks truly horrific, and I hope he comes up with some ways to showcase those skills soon. The comic still isn't very friendly to digital readers, and I definitely suggest getting a physical copy if you can. There are a few pages that seem like they'd be very challenging to read otherwise, and there are some great, subtle background details that could easily be missed.

Batwoman is still somewhat inaccessible to new readers, but for old fans of the character, this series is a win. The art is as amazing as ever, and both the plot and the character work continue to be great. Because of the way Williams renders his layouts, the comic takes a long time to read, and I really felt like I'd gotten my money's worth by the time I got to the end. If you missed out on Batwoman #1 last week, I strongly recommend picking up the reprint and getting issue #2 to go along with it. A monthly ongoing drawn by JH Williams III is a rare treat, one you should enjoy while you still can.

By Marceline with No comments

What to Read Next: Batfamily

While I offered some reading recommendations to fans of the new Batman comics a few days ago, there are still lots of other Gothamites to cover. From former Robins to the Birds of Prey, here are some suggestions for what Batfamily fans should read next.

The controversial first issue of Batgirl took Oracle out of her wheelchair and put her back in the Batgirl suit. Fans of the Batgirl concept should check out Kelley Puckett and Bryan Q. Miller's run of the title, while fans of Babs Gordon can enjoy Batgirl: Year One or Birds of Prey. Gail Simone's most recent run on the title feels fairly similar in tone to this. Looking for something to read that doesn't involve Batgirl? Check out these titles:

Ongoing: Angel and Faith, published by Dark Horse Comics

While Barbara isn't on the sort of redemptive quest that Angel and Faith are, all three characters are haunted by their pasts and learning how to move forward. This title is aimed at people who have some familiarity with the characters, but those who haven't read a Buffy comic needn't fear. All necessary information is quickly recapped via flashback before the story moves forward. Christos Gage does a great job mixing action with character moments, and Rebekah Isaacs is a strong artist who's especially skilled at visual storytelling. It's tricky to work with characters people know best from an entirely different medium, but the creative team handles it with ease. I suspect there's a lot of crossover between Buffy fans and Batgirl fans, and this is hands down the best Whedonverse comic being published right now. Angel and Faith just released its second issue, and now is the perfect time to jump into the series. If you'd like to see more of Angel and Faith, you can check out a free preview here.

Concluded: Manhunter

Barbara Gordon isn't the only whip-smart lady vigilante in the DCU. Manhunter tells the tale of Kate Spencer,  a criminal prosecutor who decides to take the law into her own hands. Kate isn't as naturally likable as Babs or many other DC ladies, but in this case, it's a good thing. She's a complex, fascinating character whose motivations and actions feel believable, even in a world full of metahumans. Manhunter never holds back, and it's often a tense and uncomfortable read. Kate's supporting cast is full of fleshed out, lovable characters, and often includes appearances from less used DC characters like Al Pratt, the first Atom, and Obsidian. 

Kate's mostly been written by the very talented Marc Andreyko, and drawn by Jesus Saiz, the current Birds of Prey artist. I don't think all her stories are collected in trade, but there are several volumes available on Amazon for cheap. There are no previews available, but here's a scan from the series' first issue.

If you liked Batwoman #1 and you haven't read Batwoman: Elegy yet, stop reading right here and go pick it up. Batwoman #0 is more of a teaser than anything else, but that's definitely worth grabbing too. While 52 is a wonderful comic that's great as a general read, I wouldn't really recommend it to anyone trying to get a better feel for Kate Kane's characters. I don't think anyone really had a feel for how to write her then. I also highly recommend picking up Chase when it's released- it was illustrated by Batwoman writer and artist JH Williams III, and it looks like he's going to make frequent use of its cast of characters. And beyond that? I suggest you try:

Ongoing:  Daredevil, published by Marvel Comics

Both Batwoman and Daredevil are well written books with wonderfully crafted characters in which the art still takes center stage. While Paolo Rivera and Marcos Martín's panel layouts aren't inventive in the way William's are, they still do some really creative and interesting stuff, like this spread that shows readers how Matt Murdock "sees" the world. Daredevil doesn't have quite the level of atmosphere Batwoman does, but it makes up for it with a relentless sense of fun. If you associate Daredevil endless angst and misery, it shouldn't take long for this comic to change your mind. It's written by the terrifically talented Mark Waid, and every issue so far has been a great one. It's my favorite Marvel title by far, and I hope plenty of Batwoman fans will give it a lookk.

Concluded: Promethea

With a creative team like Alan Moore and JH Williams III, it goes without saying that Promethea is a terrific book. This is an incredibly smart and stunning comic that gives readers a sense of how Moore perceives all things mystical. The comic follows Sophie, a college student, as she takes on the role of mythical warrior Promethea. It frequently deals in the fantastic, and allows Williams to show off his skill for drawing in a variety of styles. His page layouts here are even more elaborate than they are in Batwoman, and the plot itself is very experimentive. Themes like sexuality, religion, and philosophy play a big part in the stories, as does the nature of comics. There are all sorts of strange and compelling characters, from the Five Swell Guys to the Weeping Gorilla. It's beautiful to look at, a really great read, and I think fans of Batwoman will absolutely appreciate it. 

Judd Winnick is a writer who's very hit or miss for me, and Batwing was a hit. I really enjoy the character, the setting, and the superhero history he's started to establish. While Batman Inc, the comic in which David Zamvimbi originated, seems like an obvious recommendation, the character is actually barely featured there. He's pretty much brand new, so I'll skip straight to my suggestions:

Ongoing: DMZ, published by DC's Vertigo imprint

 

Mentioning DMZ here feels like a little bit of a cheat- the series ends this December- but it's still a great read that fans of Batwing should really enjoy. The comic is set in a war-torn but not too distant future in which Manhattan has become a demilitarized zone. For the most part, we see the story through the eyes of photojournalist Matty Jones, who covers the plight of Manhattan citizens. The situation is always portrayed in a plausible way, which makes the book's story that much more compelling. Brian Wood takes a simple concept and turns it to an intense and fascinating tale. Riccardo Burchielli's art adds to the comic's atmosphere, and his work on the more damaged and defaced parts of the city is especially compelling. Most of DMZ is available in trade form, and I highly recommend trying to catch up with the story while you still can. 

Concluded: Christopher Priest's Black Panther

Black Panther is a character who only works for me with the right writer, and it doesn't get any better than Christopher Priest's run on the comic. He makes the politics of Wakanda fascinating even when T'Challa himself is away from his homeland, and  packs the book with great action and strong characterization. There are several different artists during the book's run, but it's Joe Jusko's stunning painted pages that really stand out in my memory. Black Panther obviously isn't involved with the Batman Inc initiative, but it almost feels like he could be. Throughout the series, he comes up with these marvelous, Batman-esque contingency plans, and it's a blast to see all the pieces come into place. If Batwing turns out to be as half as good as Priest's Black Panther was, it's in a pretty good place.

Selina Kyle works best for me in small doses, so needless to say, Catwoman #1 wasn't really my thing. Any fan of the artwork in this title or Catwoman herself should check out Gotham City Sirens, a Guillem March illustrated book which also featured Harley Quinn, Poison Ivy, and the Riddler. For those who'd like to see a different take on the character, I recommend Ed Brubaker's run, which features some great art from Darwyn Cooke. And for those who want something else, these are the books I'd recommend:

Ongoing:  Executive Assistant Iris, published by Aspen Comics

Those who checked out Catwoman because they wanted to see a tough, badass hottie kicking ass would be wise to check out Executive Assistant Iris. The series' title character is a combination secretary, bodyguard, and assassin that seems to get more chances to use the violent side of her skillset than the administrative one. This series isn't a masterpiece, but it's a lot of fun, especially when we get to see more of the comic's supporting cast and Iris' backstory. Eduardo Francisco's art has a pin-up quality, but he never fails to make the executive assistants look like they really could kick your ass. Some people may be put off by Iris' personality in the earliest issues, but I promise, she has plenty of growth as the series goes on. You can read the first issue for free here.

Concluded: Madame Mirage

Madame Mirage was a six issue series written by Batman: the Animated Series' Paul Dini and illustrated by Kenneth Rocafort, who is currently working on Red Hood and the Outlaws. Set in a world where all superheroes are manmade, Madame Mirage uses her various powers- including mind control, shapeshifting, and the creation of illusions- to confuse and eventually defeat the various enemies she goes up against. As the cover makes clear, the series is heavy on cheesecake, but it's an old fashioned pulp comic at heart. Madame Mirage was primarily based on The Shadow, and there's a sort of old fashioned feel to the comic in spite of its somewhat futuristic setting. Madame Mirage herself is a lot of fun, mostly because she seems to really enjoy what she does. You can check out Top Cow's trailer for the series here.

If you liked Nightwing #1, you're in luck! The new series is very close in tone most of what came before, and Nightwing ran for hundreds of issues. I'd also recommend taking a look at Gates of Gotham, which Nightwing writer Kyle Higgins co-wrote with Batman scribe Scott Snyder, as well as Supreme Power, which Higgins wrote for Marvel. If that's not enough, here are a few more suggestions:

Ongoing: Mysterious Ways, published by Image Comics

The obvious recommendation here is Daredevil, but since I already suggested that to Batwoman fans, I'm going a little bit more off the beaten path and suggesting Jason Rubin's Mysterious Ways. If you're intrigued by the "is Dick Grayson a serial killer" plot over in Nightwing, then I think you'll be equally interested in the "is he or isn't he crazy" story Mysterious Ways sets up. Our protagonist is an alcoholic former cop under suspicion for them pretty brutal murders. At the same time, he begins to discover he has supernatural powers- or maybe it's all in his head. This comic is a lot more decompressed than I like my serialized stories to be, but it's still got neat ideas and some nice art from New Guardians penciller Tyler Kirkham. You can take a look at the comic here.

Concluded: Denny O'Neill's The Question

On the otherhand, if what you're looking for is a really great street level vigilante comic, it doesn't get much better than Denny O'Neill's The Question. The Question may not have Dick Grayson's acrobat background, but when you've received training from Richard Dragon, you can bet there are some great looking action scenes. Still, what really makes The Question shine for me is the way Vic Sage perceives the world. He's not awkward in the way he sometimes was in Justice League Unlimited, but he has a very strange way of thinking that's really fun to read. Sometimes, you get the sense The Question and Vic Sage are two different people, and the question of how much his mask changes him is one that intrigues. I especially like his occasional interactions with other members of the DCU, like Batman. This series came out during the 1980's but it's aged wonderfully, and is available in trade paperback form.

Much like Batgirl, there are plenty of easy recommendations to make for fans of the new Birds of Prey. The old Birds of Prey series are a great bet, as is writer Dwayne Swierczynski's work with Marvel. While she hasn't made a true appearance in the new series yet, those intrigued by Katana can check out the Outsiders, the comic in which she originated. Here are a few more suggestions:

Ongoing: Heroes for Hire, published by Marvel Comics

Soon to be re-launched as Villains for Hire, Heroes for Hire is the closest thing to a team of alleged supercriminal hotties that Marvel's got. Both books are full of fun characters, with Misty Knight filling a role similar to what Oracle did in the old Birds of Prey. Most of the characters here are fairly street level, but there's plenty of flash, excitement and fun. The art quality of the series is really up and down, but writers Dan Abnett and Andy Lanning are consistently great. Best of all, Heroes for Hire had a reboot of its own about a year ago, so there's very little for new readers to catch up with. If you really want to start at number 1, you can wait till November when Villains for Hire #1 is released. 

Concluded: Secret Six

If what you're really looking for is a dysfunctional family dynamic, there's no book finer than Secret Six. The team is made up of former villains who'll take on any mission for the right price. Unfortunately, they frequently discover they have more morals than they'd prefer. Even as the team expands beyond the 6 mentioned in the title, every character remains so well-crafted, so perfectly characterized, and so lovable. The characters realize they're broken, damaged, and doomed people, but they keep living their lives all the same, even when damnation itself is staring them in the face. This was the series from the old DCU that it hurt most to lose, and I really look forward to seeing it brought back anyway possible. For now, you can read the series in trade form. Secret Six trades may occasionally be hard to get a hold of, but they're re-printed frequently, so you should be able to acquire whatever volumes you need.

Red Hood and the Outlaws was a bit of a strange book. In some ways, it felt like three different comics, and I want to recommend a book for each of the issue's aspects. For now, I'll suggest that Red Hood fans read Under the Red Hood if they haven't already, and that those curious about Starfire check out R.E.B.E.L.S., which features one of my favorite takes on the character. For a book that matches the books's action-comedy meets sex romp meets underground mystical secret society conspiracy feel? The best titles I can come up with are these:

Ongoing:  The Goon, published by Dark Horse Comics

If you're looking for a slightly schizophrenic, sometimes offensive, frequently hilarious comic full of beat em up action, than The Goon is the book for you. The longrunning series is written and illustrated by the eccentric Eric Powell, is often weird but always a blast to read. Goon and his sidekick Franky are always finding someone interesting to fight, and the comic is full of colorful characters. From a Spanish speaking monster turned manservant to the never seen (but frequently mentioned) Charlie Noodles, the weird world of The Goon is wonderfully fleshed out. I'd definitely describe The Goon as a fun comic, but that doesn't mean it's not dark- there have been some truly brutal moments over the course of the series, and more than a few scenes that made me squirm. But even when the comic's taken a turn for the miserable, The Goon manages to leave me with a smile on my face. You can check out the comic for free here.

Concluded: Nextwave

The tragically shortlived Nextwave had it all. Excitement! Explosions! Naked ninjas and Wolverine monkies and broccoli men! Nextwave never tried to be anything deep- it just wanted be silly, fun, and revel in the craziness of the comic book world. Nextwave doesn't really feel like it's set in the Marvel universe, and the series takes full advantage of that, portraying major heroes in fairly out of character ways and blatantly parodying others. At one point, we meet Charlie America, a would-be super hero allegedly created from Steve Roger's superpowered pee. The comic bucks the trend of decompression, featuring nothing but 2 issue arcs. This thankfully helps the 12 issue series to feel a little longer than it actually is. If you like fun, you should probably read this comic. If you don't like fun, you should probably read this comic and see if it changes your mind. If you're still not convinced, click here.

That's it for the Batfamily! Check back later this week for Superbook recommendations.

By Marceline with No comments

Spotlighting the Artists of the New 52

There are some great artists working for DC right now, and I think they could always use a little more appreciation. So, here are a few awesome pieces from the guys drawing the new 52, and where you can see more of their work.

Rags Morales - Action Comics

Moritat - All-Star Western

Mahmud Asrar - Supergirl

Greg Capullo - Batman

Ardian Syaf - Batgirl

JH Williams III - Batwoman

Kenneth Rocafort - Red Hood and the Outlaws

Doug Mahnke - Green Lantern

Cliff Chiang - Wonder Woman

Mikel Janin - Justice League Dark

Francis Manapul - The Flash

Yildiray Cinar - The Fury of Firestorm

Alberto Ponticelli - Frankenstein, Agent of S.H.A.D.E.

Andrea Sorrentino - I, Vampire

Travel Foreman - Animal Man

Yanick Paquette (with Sergio LaPointe) - Swamp Thing

By Marceline with No comments